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SFO | March 23-24, 2012

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DC | March 30-31, 2012

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Matthew Oltman

Matthew Oltman

Matthew Oltman joined Chanticleer in 1999 singing tenor with the ensemble.  In 2004, he was appointed Assistant Music Director under Joseph Jennings and in 2009 took over artistic leadership of the company following Mr. Jenning's retirement.  During the past decade with Chanticleer, Mr. Oltman has appeared on twelve critically acclaimed recordings, toured extensively throughout North America, Europe and Asia, and led numerous workshops and vocal master classes with choristers around the world.

Originally from Des Moines, Iowa, his first musical experiences were with the Des Moines Metro Opera and the Des Moines Children's Chorus.  Mr. Oltman earned his B.A. in Performance from Simpson College in Iowa.  He earned his master's degree in Music Performance from the University of York in England with the aid of a Rotary Ambassadorial Scholarship.  Before joining Chanticleer, Mr. Oltman sang with the Santa Fe Desert Chorale for four seasons and was on the faculty of Simpson College where he taught harmony, French diction, choral techniques and voice.  More recently, he served as guest conductor and clinician for ensembles such as the UC Berkeley Chamber Chorus, the Utah Symphony Chorus, the Pacific Youth Choir (Portland, OR), the Iowa Youth Chorus, Coro (Houston, TX), and the Sonoma County Choral Society's Midsummer Night Sings.


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Jerry Blackstone

Grammy Award winning conductor Jerry Blackstone is Director of Choirs and Chair of the Conducting Department at the University of Michigan School of Music, Theatre & Dance where he conducts the Chamber Choir, teaches conducting at the graduate level, and administers a choral program of eleven choirs.  In February 2006, he received two Grammy Awards (“Best Choral Performance” and “Best Classical Album”) as chorus master for the critically acclaimed Naxos recording of William Bolcom’s monumental Songs of Innocence and of Experience.

Professor Blackstone is considered one of the country’s leading conducting teachers.  In 2004, Dr. Blackstone was named Conductor and Music Director of the University Musical Society Choral Union, a large community/university chorus that frequently appears with the Detroit Symphony Orchestra and presents yearly performances of Handel’s Messiah and other major works for chorus and orchestra.  In March 2008, he conducted the UMS Choral Union and the Detroit Symphony Orchestra in a special performance of the Bach, St. Matthew Passion.  Choirs prepared by Dr. Blackstone have appeared under the batons of Valery Gergiev, Neeme Järvi, Leonard Slatkin, John Adams, Helmuth Rilling, James Conlon, Nicholas McGegan, Rafael Frühbeck de Burgos, Peter Oundjian, and Yitzak Perlman.

Santa Barbara Music Publishing distributes Dr. Blackstone’s acclaimed educational video, Working with Male Voices and publishes the Jerry Blackstone Choral Series, a set of choral publications that presents works by several composers in a variety of musical styles.  As a strong advocate for the training of young musicians, Professor Blackstone serves as Director of the University of Michigan School of Music, Theatre & Dance’s summer programs for high school students and adults.

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Dr. Karen Kennedy
Karen Kennedy

Praised by the San Francisco Classical Voice for her “wizardry with voices” and named by the Honolulu Star Bulletin as “… a popular and charismatic leader,” Karen Kennedy currently holds the position of Director of Choirs at Towson University.  Before joining the faculty at Towson, she held the positions of Chorus Director for the Honolulu Symphony, Artistic Director for the Hawai`i  International Choral Festival, and Director of Choral Activities at the University of Hawai`i at Manoa.  A recipient of the Doctor of Musical Arts degree in choral music from Arizona State University, Dr. Kennedy also received a Master of Music in choral conducting from Butler University and a Bachelor of Music Education from DePauw University.


During her time in Hawai`i, Dr. Kennedy conducted the Honolulu Symphony Orchestra and Chorus in performances of Orff's Carmina Burana, Durufle’s Requiem, Faure’s Requiem, Mozart’s Great Mass in C Minor, Mozart’s Requiem, and Rutter’s Gloria. She has conducted the New England Symphonic Ensemble and a 200-voice festival chorus in a Carnegie Hall performance of Mozart’s Vesperae Solennes de Confessore, as well as choirs in venues such as the Mormon Tabernacle in Salt Lake City, Utah, the Royal Academy of Music in Stockholm, Sweden, Ely Cathedral in Ely, England, Southwark Cathedral in London, England, and Greyfriar’s Kirke in Edinburgh, Scotland.  She is also a popular honor choir clinician, having served as conductor of All-State and Festival Honor Choirs in Minnesota, Colorado, North Carolina, Oregon, Hawai`i, Florida, Nevada, Pennsylvania, Virginia, and Maryland.

In addition to regular podium performances Dr. Kennedy enjoys the opportunity to present workshops on choral repertoire, conducting, choral pedagogy and vocal pedagogy. Her workshops have been a part of recent ACDA and MENC regional and state conventions, most recently in Virginia, Connecticut, Oregon, Maryland, and Hawai`i.  Dr. Kennedy has received numerous awards for teaching, including the University of Hawai`i  Chancellor’s Citation for Meritorious Teaching, Arizona State University’s Manzanita “Top Prof” Award, and Butler University’s Faculty Distinction Award.

Dr. Kennedy is currently serving as the ACDA Eastern Division Collegiate Repertoire and Standards Chair, and is a past-President of the Hawai`i chapter of the American Choral Directors Association.  She is an active member of Chorus America, and is a founding member of the National Collegiate Choral Organization, where she currently represents the state of Maryland.

Jameson Marvin

Jameson Marvin is the Emeritus Director of Choral Activities and Senior Lecturer on Music at Harvard University.  Under Dr. Marvin’s direction, Harvard’s Choral Program garnered a distinguished national reputation from 1978 to 2010.  During the same time period, he conducted the Harvard Glee Club, Radcliffe Choral Society, and the Harvard-Radcliffe Collegium Musicum to a position among the premier collegiate choruses in America.  These ensembles appeared at nine Eastern Division and seven National Conventions of the American Choral Directors Association, and the Choral Program at Harvard was named by Classical Singer magazine as the top collegiate choral program in the United States.

Dr. Marvin's musicianship, comprehensive knowledge of style and performance practices of historical eras, and acknowledged mastery of ensemble music making have been the trademark of his insightful, communicative, and inspiring performances. Some 80 choral-orchestral masterworks from Monteverdi's Vespers of 1610 to 2004 Pulitzer Prize winner, Paul Moravec's Songs of Love & War dot the landscape of his comprehensive experience in conducting symphonic-choral works from the 17th through the 21st centuries.  While Dr. Marvin's performances of the masterpieces of the Renaissance and Baroque enjoy a distinguished national reputation, it is his unique knowledge of a cappella gems from the early 15th century through newly commissioned works of the 21st century, for men's, women's, and mixed choruses that reveal the full range of his comprehensive choral artistry.

Through his charismatic spirit, humor, musicianship and passion, over the past 40 years Jameson Marvin has enriched the lives of thousands of his choral singers, students, and choral colleagues through his uncommon wellspring of knowledge, experience, and inspired leadership.

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Dr. Jameson Marvin
Gene Peterson

Gene Peterson is the University of Tennessee’s Interim Director of Choral Activities.  He also conducts the UT Concert Choir and UT Men’s Chorale.  Dr. Peterson teaches courses in undergraduate choral conducting and secondary choral methods.

Prior to his arrival to Tennessee, Dr. Peterson has held posts as music director and conductor for college, high school, church, and community choirs in California and Washington. Ensembles under his leadership have performed in venues throughout the United States, Europe, Australia, and New Zealand, including the Sistine Chapel, the Sydney (Australia) Opera House, and Chicago Symphony Hall.  Dr. Peterson has served in professional leadership roles such as High School Standards and Repertoire Chair for the California American Choral Directors Association and as Bay Area Choral Representative for the California Music Educators Association.

Dr. Peterson holds a Bachelor of Music in Choral Conducting and a Masters of Arts in Education from Chapman University in Orange, California, and the Doctor of Musical Arts in Choral Conducting from the University of Washington, Seattle.

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Dr. Gene Peterson
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